Release Notes is happy to feature Jerome Charyn, the author of Back to Bataan, in a "In His Own Words" segment. I hope you all enjoy this great interview.
1.
What are your thoughts on the explosion of popularity
concerning the YA genre?
I think it might very well be that
it started with Harry Potter, that young adult
writers are trying to tell good stories and adults have moved into that kind of
dream.
2.
You are the master of writing across a realm of different
genres, what excites you about connecting with different audiences?
I’m
not so sure that these are different audiences, I think we all love stories,
whether we’re children or great-grand and when you move from genre to genre you
are still telling a story like Scheherazade and the king is always waiting for
the next tale.
3. Your writing is so precise, yet evocative - how do you work
at crafting your unique style of prose?
Everything
begins and ends with the word, with the music of the sentence and as Tolstoy
once said, “I’m always composing.”
4.
Being a published author for nearly 50 years, what do you
think of eBooks?
I
think that this is a kind of logical step as we move from the internet into
eBooks.
Publishing
is changing even as we speak. I think there now will be a more complicated
dance between the eBook and the printed book, and as we’ve seen recently,
successes in eBooks allow the author to move into print.
5.
What would be your
advice to young people who aspire to a literary career?
It’s
not worth the money – only write if you’re absolutely in love with it.
6.
How much of your life is in Back
to Bataan? How did you personally experience New York during World
War II?
I
think so much of the source of my writing comes from my childhood, I grew up
during the War - so many of the terrors
and the magic of certain films have remained with me. And all of this appears in the character of
Jack.
7.
Your older brother was a detective. Did your experiences
with him influence the plot?
Not
really, I think all writing is crime writing. And Back to
Bataan is a crime novel with a very original twist.
8.
Why did you decide to include the fascination with the
famous as a theme - Gary Cooper, Eleanor Roosevelt, etc.?
These
people were heroes to me as a child, particularly Eleanor Roosevelt, who was
one of the most extraordinary women who ever lived, and of course as a child I
fell in love with Gary Cooper’s face and with his very slow drawl, that seemed
so exotic to me.
9.
Jack finds acclaim through his writing, yet feels guilty for
exploiting other people (Mrs. Fink). How does a writer starting out work to
bridge this gap?
You’re
always cannibalizing other people and writers when you start to write, so it’s
natural that Jack should be a young cannibal.
10. How important is the New York Times in your own life? Why did
you decide to make it a form of connection between Jack and the Leader?
As
a child, I didn’t even know that the Times existed –
I grew up in a neighborhood without newspapers and books, so that when I first
fell upon the New York Times, I was very very
greedy, and wanted to include it in Jack’s middle-class life.
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