“The first
time I came to Deadwood, I got shot in the ass.”—Violet Parker
Irony is having a
big ol' fiesta and Violet Parker is the piñata. Little girls are
vanishing from Deadwood, South Dakota, and Violet's daughter could be
next. Short on time and long on worry, she's desperate to find the
monster behind the abductions.
But with her
jerkoff co-worker trying to get her fired, a secret admirer sending creepy love
poems, and a sexy-as-hell stranger hiding skeletons in his closet, Violet just
might end up as one of Deadwood's dearly departed.
I am thrilled to feature Ann Charles, the dynamic author of "Nearly Departed In Deadwood" to Release Notes today. Ann is the featured author for Bestseller For A Day Promo. Take time to ready Ann's funny and informative interview then see below how you can help make her a "Bestseller For A Day".
1.
What made you decide to set your novels in Deadwood?
I had spent my summers in
Deadwood during my teen years, after my mom moved there from Ohio. My family
and I explored back roads, ghost towns, old abandoned mines, and stream-lined gulches
every chance we could. The history of the place entranced us, and there was
always a road we hadn’t traveled that needed to be checked out.
A few years ago, while
pregnant with our second (and last!) child, my husband and I were in Deadwood
visiting my mom and stepdad. On the way into town, a story idea hit me about a
single mom with two kids—twins—who was trying to make ends meet while trying
out a new career in a new town. That’s when Violet was born.
From the start, I had a gut
feeling that this story was meant to be. Nearly
Departed in Deadwood just poured out of me. The years of exploring the town
and surrounding hills paid off, I was able to slip in and out of the setting by
just closing my eyes. I could feel the summer sun, smell the pine trees, hear
the sounds of Main Street. It was a match made in fictional heaven.
2.
Could you tell us a little more about the town?
Deadwood has been around since the late 1800s. It’s
the site where “Wild” Bill Hickok was murdered, Calamity Jane liked to spend
her days and nights, and outlaws, miners, prostitutes, and cowboys hung out in
droves. It’s located in the beautiful Black Hills and has been the setting for
many true wild-west anecdotes.
For decades, Deadwood relied on its history to drum
up tourism business. But in the 90s, gambling was allowed within the city
limits, and the tourists began to pour in by the busload. The good news is that
the gambling industry brought jobs and money to town. The bad news is that
casinos took over Main Street, and the Deadwood I grew up in disappeared into
history. The clothing store where I’d buy Levi jeans, the pharmacy where I’d
buy candy, the gift store where my mom had worked for years—they are all gone,
ghosts of Deadwood’s past. But, even with the change, the people have stayed
the same. They are still friendly, funny, and full of piss and vinegar. I did
my best to create secondary and tertiary characters who are as genuine and
entertaining to be around as the real folks in Deadwood.
3.
Nearly Departed in Deadwood won the prestigious
Daphne du Maurier Award. How did you feel when your book was announced as the
winner?
Stunned. Totally,
absolutely, completely stunned. I didn’t think my quirky, mixed-genre book had
a chance at winning. I believed that so much that I didn’t even write an
acceptance/thank-you speech (even though my long-time critique partner strongly
suggested I write a speech right before we headed down to the ceremony—“Really?
Not even just a list a names?”). I’ll never forget what it was like to stand up
there in front of all of those smiling faces and not have a clue about what to
say. Lesson learned!
4.
Your cover art is really distinctive. Can you tell us
more about it?
The cover artist is C.S.
Kunkle, who happens to be my older brother. He also drew the graphics that are
inside of the printed version of the book—I think 7 in all.
He’s been drawing since we
were kids, and he’s also one of the main sources for my wild imagination. His
art is a little twisted and wild, and his love of monsters has kept me afraid
of the dark since we were kids growing up on the farm in Ohio. He’d often tell
me stories of vampires or werewolves living out behind the barn—the same barn
that I had to go out to on dark winter nights and feed the cows. I grew up
watching scary movies with him, and I’m pretty sure he’s warped a part of my
brain.
We had wanted to work on a
joint project for years, and when I couldn’t hook a New York publisher with
this book, I turned to him and asked if he would be willing to work with me on
this project and represent the books in the art form. He didn’t even hesitate.
If you check out my
Deadwood website (
www.anncharles.com/deadwood),
as well as my main Ann Charles website (
www.anncharles.com),
you will see his art all over the webpages. I’m extremely fortunate that my
parents put my crib in his room when he was four, because we’ve stuck together
through thick and thin ever since. Having such a talented artist so willing to
work with me has been an incredible boost to my career.
5.
Your main character, Violet, is anything but shrinking.
What else can you tell us about her?
Violet is a hoot! From the
first moment I stepped inside her head and stared down Old Man Harvey’s
double-barrel shotgun, I knew I’d found a heroine I would love sharing
headspace with for years to come. I love her wit, her sense of humor, the way
she can laugh at herself when crap is really raining down on her, her lusty and
bold appetite for men, and her acceptance that she’s not the best mother in the
world, but she keeps trying anyway.
What I had hoped to create
in a character when I started writing Violet’s story was someone readers would
enjoy hanging out with in real life. The kind of character that is more genuine—she
struggles with her weight, has stretch marks, has this crazy hair she can
barely control, and cusses and howls at the moon when the situation calls for
it. She’s not a first-rate sleuth, but she cares about people and allows that
caring to draw her into places where she does things she’d normally avoid like
the plague.
6.
What is your ideal romantic hero like?
He loves to cook and he’s
great at it. He also is willing to clean the toilet and shower/tub, do the
laundry, and go grocery shopping. Oh, and he likes his women short, curvy, and
full of spunk. Handsome with sexy forearms is a definite plus! He’s nice to
kids and pets, he’s intelligent but doesn’t show off, and he is willing to give
a woman the space she needs to grow and thrive.
7.
Speaking of romantic heroes, what can you tell us about
Doc, Deadwood’s newest arrival?
Well, I’d love to tell you
all kinds of fun details about Doc, but he refuses to spill—even to me.
Seriously. When I write scenes with him in them, I have to work at getting him
to share much. He’s extremely closed mouth about his history and his feelings. I
curse him often. Not even hard liquor pries open his lips—and believe me, I’ve
tried to use it many times and wound up passed out on the floor of my office.
8.
Are there any books that you feel helped shape the
writer you are today?
Definitely! Off the top of
my head: Stephen King’s Desperation
for the horror elements; Dean Koontz’ Odd
Thomas for Dean’s ability to infuse setting into a story; Rachel Gibson’s See Jane Score for her way of making
male characters so “male” and sexy; several books by Susan Andersen for her
expertise with suspense; Janet Evanovich’s Stephanie Plum series for the
blending of mystery and comedy; many of Katie MacAlister’s books for her way of
using first person point-of-view so seamlessly; Jane Porter’s Flirting with Forty for her ability to
yank on heartstrings; and Vicki Lewis Thomson’s Hex series for her fun
paranormal and romance mix.
9.
Are there other books in the Deadwood series you’d like
to tell us about?
The second book in the
series is called Optical Delusions in
Deadwood. It is available as an ebook and in print. I’m currently writing the
third book in the series, called Dead
Case in Deadwood. At the moment, I have twelve books roughly planned out
for this series. I figure I’ll take readers’ temperatures at six and go from
there.
10.
Can you tell us what your writing process is like?
Overall, I’m what many
writers call a “pantser” in the author world, which means I write by the seat
of my pants. I get a couple of plot ideas in mind, put together a high-level
plot paradigm with all of my subplots listed, work up a few necessary character
goal details, wait for that opening line to hit me right between the eyes, and
then explore the story as I go. Every time I finish a chapter, I pause to
daydream and brainstorm what comes next. I have a general idea of the
beginning, middle, and end, but I allow myself the liberty to change things
along the way.
If we’re talking about my
daily process for getting words on a page, my typical day is pretty normal. I
work a full-time day job as a technical writer, so the morning starts out with
dragging my butt out of bed around 6:00 a.m., checking email and
Facebook/Twitter, and then getting the kids up and moving. My husband gets
breakfast going while I get the munchkins dressed and ready for
school/preschool. Then I head to work and play technical writer for eight
hours, but my brain is constantly dabbling in fiction during long meetings and
on “slow” days. I go home in the evening, hang out with the family until the
kids go to bed around nine, and THEN I get to start working on writing. I
usually stay up until around 1:00 a.m., then crash and start over again when
the alarm goes off at 6:00 a.m. By Friday, I’m existing solely on caffeine and
sugar and I look like an extra from a zombie flick, minus the craving for
brains. Saturday morning, my husband keeps the kids busy so I can sleep in and
return to looking somewhat human. The weekend nights are major writing time,
too. Then Monday roles around and I’m back to the weekday grind. Someday I hope
I can drop the day job, but that’s far into the future at this point.
11.
What one thing is vital to your survival (or sanity!)
when writing?
Caffeine. Lots of it.
Injected intravenously.
12.
What is your favorite way to relax?
Sitting on my couch with a
good action/adventure movie with a touch of romance on the television, a plate
of Chicken Tikka Masala in front of me (with plenty of warm Naan, too), and a
Coke Slurpee within reach. Ahhh, paradise!
13.
Do you feel like you have anything in common with
Violet, and if so, what?
We both have two kids, rely
on a sarcasm-laced inner monologue as a source of humor, and love men who are
tall, dark, and handsome. We also both screw up a lot in life and have learned
to laugh at ourselves whenever possible.
14.
What other projects do you have on the horizon?
In October, I’m releasing
the first book of my Jackrabbit Junction Series called, Dance of the Winnebagos. I’ll release the second book in that
series next year after I release the third book in the Deadwood series.
Also, I have a couple of
non-fiction books I co-wrote with Jacquie Rogers. The first is called Nail It! The Secret to Building an Effective
Fiction Writers Platform. It’s the first in a series of five books that we
have planned on building a fiction writing platform. The second book available
now is called Growing Your Audience,
and is a workbook sort of book that can be used with or without our “Growing
Your Audience” online workshop. It’s full of great tips on how to figure out
who your audience is and how to grow that audience so that you have folks
buying your books as soon as they are published.
15.
Are there any particular people (writer, teachers,
friends) who have helped inspired you as a writer?
There are so many authors I
have met in the last 15 years who have inspired me. Many of my closest friends
are writers who have motivated me through encouragement (or whips and finger
jabs) to keep trying, keep practicing, keep putting myself “out there.” The
support network these fellow authors have provided is invaluable, and without these
authors, I might have thrown in the towel years ago.
In addition, my family has
always been extremely supportive. Both of my parents are entrepreneurs, and I
think they saw in me that spirit and drive that they know so well. My husband
has been wonderful, too. He takes care of me while I write. Without him, I’d
have matted hair with leaves and bugs in it, I’d be malnourished from eating
nothing but tomato paste out of a can, and I’d undoubtedly smell like I’d
bathed with skunks.
16.
When did you first know you wanted to be a writer?
In my 20s, after reading
romances for well over a decade, I decided that I wanted to try writing a
romance of my own. So I did. I wrote it by hand and it was absolutely horrible.
I’ll never share that one with anyone. But I sent the first 3 chapters of it
off to a publisher, not realizing at the time how bad the story was, and
Harlequin’s Mills and Boon division was very kind in their rejection letter.
The editor encouraged me to keep trying. That was all the encouragement I
needed, and I’ve been working on improving my craft and career ever since.
17.
So often, writers hear over and over how difficult it
is to “make it” in their chosen profession. What inspires you to keep going?
The characters in my
head—they won’t shut up. To keep my sanity, I have to put their stories on the
page. Plus, writing is addictive. And the better you get at bringing your
fictional worlds to life, the more you want to dabble in these other worlds.
18.
What advice would you give a brand-new writer?
If writing to get published
and sell books is what you really want to do, realize that winning contests,
finding a publisher (or agent), and becoming a bestseller doesn’t happen
overnight. It takes years, sometimes even a decade or more, like it has for me.
I have been working to be published for about fourteen years now. Many authors take
less time than I have, some take more. Patience is necessary, as is continually
learning, persevering, and practicing. And most important—this is an
entrepreneurial business. Entrepreneurs are known for living, breathing, and
sleeping their businesses. Writing is the same. If your family doesn’t
periodically consider staging an intervention to break you from your
writing-related addiction, you aren’t working hard enough at it to succeed.
19.
What is your favorite bad-for-you treat?
A Coke Slurpee. Someday,
I’m going to purchase a Slurpee machine of my own and drink it straight from
the tap.
20.
If you had an entire day to yourself with no
responsibilities of any kind and unlimited resources, what would it look like?
Easy—I’d be sitting on a
Mexican beach under a big umbrella with a huge blended Margarita on the little
table next to me along with a huge plate of chips and guacamole in my lap. In
one hand, I’d have my Kindle loaded with a sexy read, and in the other I’d have
my husband’s IPod that I’d be listening to while he took a dip in the crystal
clear pool of the resort behind us. Later, our kids would join us for a yummy,
fun-filled dinner, and then the nanny would give my husband and me a few more
hours of “adult swim” time before returning the kids for the night.
21.
What is something that readers would be surprised to
know about you?
I have an irrational fear
of cows, which formed when I was a little kid and have not been able to shake.
When I was fifteen, I got lost in the Black Hills of South Dakota one summer
day because I’d come across a bull standing in the road while I was out on a
walk. I was too chicken to try to skirt around it. For five hours, I wandered
the forest, lost, trying not to panic as dusk neared. Finally, I came across a
cute little cottage filled with a kind, older couple who took me in, fed me
some cookies, and then drove me home.
22.
Do you ever incorporate family members or friends into
your books?
Yes, often. I like to have
fun with those who are closest to me. For example, a good friend of mine at
work is single without kids. In the second book of my Jackrabbit Junction
Series, I gave him triplets and didn’t tell him about it before he read the
ARC. His reaction was priceless. In Nearly
Departed in Deadwood, Old Man Harvey is loosely based off another friend of
mine at work and his grandpa (about whom I’ve heard many funny stories).
For those readers who know
me and my friends and family, part of the fun of reading my books is to see whose
names they recognize.
23. What
is one of your most embarrassing moments?
Recently,
I stepped off a Ferris Wheel at an amusement park, twisted my ankle, and
proceeded to fall down the three steps to the ground in a very ungraceful like
manner. Think “train crash” here. My shins took a beating, but my wrists were
saved because I fell on top of my 4-year-old daughter. What a great mother,
right? Cushion my fall with my kid in front of a crowd of about twenty-five
people. Ha! Luckily, my daughter took the brunt of my weight pretty well and
ended up with only a bruised knee, where as I had to go to the first aid
station and get wrapped with ace bandages and patched up with Band-Aids. Just
call me, “Grace.”
24. Is there any genre that
is off limits?
I’m only good at writing
mixed-genre stories, so any of the pure genres are off limits for me. For
example, I once tried to write a romance with no other plot elements mixed in
it. It was so horrible that my critique partners will never allow me to use
that hero’s name again. I’m serious. And it was a nice name, too. Dang.
Awards for Nearly
Departed in Deadwood:
WINNER of the 2010
Daphne du Maurier Award for Excellence in Mystery/Suspense
WINNER of the 2011
Romance Writers of America ® Golden Heart Award for Best Novel with Strong
Romantic Elements!
Praise for Nearly
Departed in Deadwood:
"Violet Parker
follows a path blazed by Stephanie Plum (the heroine in Janet Evanovich's
best-selling series), but she is no copycat. Violet is sexy and smart. Charles'
mystery Nearly Departed in Deadwood is out of this world." -Sarah M.
Anderson, Reviewer for Romance Novel News
"Nearly Departed In Deadwood was a contemporary mystery romance with a
touch of paranormal that kept me enthralled with goosebump-creepiness and belly
aching laughter." ***** FIVE STARS! -Escape Between the Pages Book
Reviews
"It's no wonder Ann won an award for this story. Her storytelling
capabilities are tremendous." ***** FIVE STARS! -ParaYourNormal Book
Reviews
Author Bio:
Ann Charles is an
award-winning author who writes romantic mysteries that are splashed with
humor. Her book Nearly Departed in Deadwood won the 2010 Daphne du Maurier
for Excellence in Mystery/Suspense Award and the 2011 Romance Writers of
America Golden Heart Award for Best Novel With Strong Romantic Elements. She
has also been a Pacific Northwest Writers Association Literary Contest
finalist.
A member of Sisters
in Crime and Romance Writers of America for many moons, she has a B.A. in
English with an emphasis on creative writing from the University of Washington.
She is currently toiling away on her next book, wishing she was on a Mexican
beach with an ice-cold Corona in one hand and her Kindle in the other. When she
is not dabbling in fiction, she is arm wrestling with her two kids, attempting
to seduce her husband, and arguing with her sassy cat. Most nights, you can
find her hanging out over at www.anncharles.com/deadwood, on Facebook, or as
DeadwoodViolet on Twitter--especially around midnight when her quirky fictional
world comes to life.
Currently, she has
two fiction books available: Nearly Departed in Deadwood and Optical
Delusions in Deadwood, which are both part of her ongoing Deadwood Mystery
Series. She also has one non-fiction book available: Nail it! The Secret to
Building an Effective Fiction Writer’s Platform.
